Use the blade tool to add a cut on the B clip (on the higher track) at the end of the overlap.Īccess your transition from the transitions group of that filter family. This should create an overlap of the two clips equal to the length of the intended duration of the transition. Extend the end of the A or B clip or both. The new Option + Up Arrow command works well in Premiere Pro CC. Start by moving your B clip up one video level, such as from V1 to V2 or V2 to V3. ( Click on any image for an expanded view.) Here are some basic tips to make Premiere Pro’s transitions work for you. In other words, not from A to B on V1, but rather A on V1 to B on V2 or the other way around. Instead of creating a transition between two adjacent clips on the same video track, third-party transitions work by creating a transition between clips on adjacent vertical tracks. Therefore, applying third-party transitions in Premiere Pro needs to be done in much the same manner as in After Effects. The confusion comes, because Premiere Pro filters are based on a similar architecture to After Effects. For other filters, like Sapphire Edge transitions, they must still be applied as I outline in the rest of this post.) Their transitions now are drag-and-drop enabled, just like Adobe’s default transitions. ( EDIT: This changed somewhat a day ago, when Noise Industries released FxFactory 4.1.1.

Unfortunately third-party transitions don’t work this way, leading some users to conclude that they just don’t work or that Premiere Pro is less versatile. Drop the transition on a cut and you are done. Native Premiere Pro transitions, like dissolves and wipes, can be applied just like in FCP. Switchers from Apple Final Cut Pro to Adobe Premiere Pro might miss the wealth of inexpensive transition effects offered by third-party and hobbyist plug-in developers.

Adobe premiere pro transitions